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圓喜藝術中心-電子報

繡畫欣賞評鑑之五大標準

• 發表於 2011年06月號

 

標準一:線絨。
即所用絲線的粗細,一般繡品的話,6絲打底,精品以上的話4絲打底,繡到2絲甚至是1絲;線絨越細越耗時。

標準二:針距。
即行針的長短,針距越短越耗時,針距的長度比例跟工時成反比;絲線的粗細比例跟工時成正比,比如:單位面積用8絲繡密,跟2絲繡密,時間快4倍;單位面積、相同線絨,用5cm的針距繡密,跟1cm的針距繡密,時間快5倍

 

標準三:密度。
即繡品修成後的絲線緊密程度,有的繡品本身需要疏密對比,有些是需要滿繡的,因為現在可以電腦打底,往往會讓人偷工,偷工的原因不僅僅是為了降低成本,還跟技術層面有關,如果繡家的技術不過關,那她就做得越多錯得越多,繡密了也就不成樣子了;單位面積,相同線絨、針距,密度跟工時成正比,比如50%密度的繡品,跟100%密度的繡品,時間快一倍

標準四:色彩。
即同一幅繡品根據繪畫規律所配置的多套顏色的絲線,沒有經過繪畫培訓的繡家只會用有色絲線來模仿畫面,受過培訓的繡家是根據繪畫規律來主動造型,而色彩,是一種調和的過程,需要多套來繡;用一套色線跟用多套色線表現出來的效果截然不同,沒有經過培訓的繡家是不會達成色彩之間的轉換的。用色越多,越耗時

標準五:技術等級。
上述四點是工時影響成本,技術等級是單價影響成本,即繡家的成長要經過漫長的培訓、實踐、再培訓,隨著技藝的不斷提高,級別就自然形成了,同樣一幅繡品,不同級別的繡家制作,成本也會有很大差別,按照物盡其用的原則,等級高的繡家一定繡等級高的、技術難度高的繡品,才更彰顯繡品的價值。

 

 

 

 

 

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