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圓喜藝術中心-電子報

圓喜邀您親臨欣賞繡畫─收稼者

• 發表於 2011年08月號

「收稼者」以豐收為主題。豐收,上天賜予的福運;
祂的憐愛慈悲,讓人間世上付出努力者,皆能有所收穫。
載滿金黃稻穗的馬車,樸實而樂活,因而人生最樂莫過豐收喜年享人間。

The Aarvesters    Laszlo Pataky von SOSPATAK       
收稼者    帕塔基˙凡˙隡斯帕塔    原作收藏於奇美博物館  (本繡畫由圓喜藝術中心收藏) 
 
 
 
原作,帕塔基˙凡˙隡斯帕塔以風俗畫著稱,他筆下的場景都充滿著活力。此作「收稼者」完成於1890年,與同時期的巴比松畫家一樣,同樣喜愛繪製戶外景色。並取材於鄉間農家收成的情景,如巴比松畫派的著名畫家杜普荷一樣,他將畫中忙碌的農人至於前景中,令觀賞者對於畫中辛勤工作的人物興起一股尊敬之意。繪畫記巧採用當時流的印象派筆觸,尤其是田中麥草的表現上。
 
同屬於巴比松畫派的畫家,米勒,乃為最多人知曉,其作品「拾穗」亦與「收稼者」有著明顯的農村風格,巴比松為法國一處較偏遠的小鎮,許多19世紀畫家因局勢動亂,而尋覓一處能啟發靈魂的處所,於是,巴比松這個小鎮,因其純樸儉實,勤奮生活的農村而湧現出崇尚自然與勞動的「巴比松七星」(柯洛、特羅雍、米勒、杜普雷、盧梭、多比尼、迪亞茲)。
 
蘇繡,位在世界的東方,其悠久的歷史技藝,因朝代更跌、世界藝術的融合,意欲表達中國之藝亦能融合西方之畫。東方蘇繡與西方巴比松畫派,皆為時代之藝術朝流,在蘇繡針下的「收稼者」,以蠶絲線交錯產生的光澤,創造出光影折射的立體感,為隡斯帕塔的畫作,增添朝氣與活力,絲毫不遜色,在陽光下的稻穗,呈現出金黃色的豐收喜悅,由絲線的反光,就如同稻穗與陽光的相呼應,畫中不見太陽,卻可明顯感受到他的溫暖,這便是蘇繡亂針繡超凡的技藝。

 

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