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圓喜藝術中心-電子報

精美繡畫-白樺林

• 發表於 2012年08月號

 
 


蘇繡-《白樺林》 圓喜藝術中心珍藏

【規格】

繡者:錢建琴
年代:2007年
針法:套針、亂針
繡線:蠶絲繡花線
用線細緻度:4.3.2絲
畫芯尺寸:40*50cm
含框尺寸:167*94.5cm

靜靜的白樺林,潺潺的流水,成熟的秋色,讓堅硬不再,只剩溫柔!

 

【畫作賞析】

針法:針對流水、植物特性與紋理,使用套針與亂針兩大類。

   

  • 套針:針腳較整齊,絲絲相扣,使鑲色較和順且繡面平服。

    使用套針繡法繡製流水,呈現水流平滑以及清澈透明,潺潺地流動。平緩的河水流動,亦暗示季節可能為枯水期的秋季。寓季節感於型態與表現之間。   

    亦分別使用水平、垂直向針法描繪白樺樹林
    水平弧狀繡疊樹皮紋路,繡線整齊的部分看來平滑、間以深色斜向繡法表示褪落樹皮的粗糙質感;垂直向的針法出現在遠端景色消失點,隱約的垂直線暗示樹林深處仍有連綿樹林,漸漸沒入與天空的交界。針針接續相疊製造微弧曲線,自然呈現樹幹的圓柱型態。

 

  • 亂針:針法長短不一,方向不明且相互交叉,運用分層、加色的手法,使色彩更豐富。

    滿地野草經過風的吹撫微微顫動,深秋枯黃的僵硬質地,選用方向不一的亂針針法,揣摩草的動作與狀態。深淺對比強烈的絲線選用,增加草叢的厚疊、繁盛貌,即使是秋季依舊具有生命感。
     

設色用線:

     

  • 帶灰綠的黃色調,暗示時間已步入秋季尾端,冷色調設色表現氣溫冷冽。而畫面仍有溫暖感的安排,右側照射入林的陽光以枯草反射而金黃耀眼作為暗示。
  • 色彩的飽和度自前往後遞減,表現遠近透視視角。大量錯落的淺色絲線,製造遠方景色模糊的邊線以及霧化質感,使畫面不僅描繪景色亦靈妙地抒情。
  • 樹林深處蜿蜒流動的小溪流潺潺逼近觀者眼前,間以左右流竄的林間秋風,生動演示景色寧靜悠遠。

好的繡畫需要繡者精湛巧妙的技術,更需要細膩的觀察與詮釋,使臨摹畫超越匠氣而獨具匠心!

 

 


 

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